CK Feltman
Mester Jakobsen
Leragér

DJ White Shadow
Jean Von Baden

Mester Jakobsen

Karol XVII & MB Valence
(Loco Records/PL)
Tim Andresen (What Happens)

Robbie Akbal (Supernature/No.19/MX)
Strung Fellows (MX/DK)
Rasmus Rekyl

Shifted (Mote-Evolver/Avian/UK)
Kasper Melchior (Korridor Records)
Rasmus Bro (Korridor Records)
Henrik Krog (Korridor Records)
Haddock (Korridor Records)

Kong (Mantra)

Rune Mirgnegrom
Overformynderen
Gunny Jones

Kiki (BPitch Control/DE)
PhonoKemi (Highgrade)

Jacob Guldager
Sherman
A Boy Named Sue
Waqar

Alex Tepper (Saved/Drumcode/Souvenir/Rekids/UK)
Tim Andresen (What Happens/Seamless Traxx)

Bongo
Pusk

Steffen H
Monsieur Henry

Dubfire (SCI+TEC/US)
Martinez (Cadenza/Moon Harbour)

Ben UFO (Hessle Audio/Rinse FM/UK)
Psimono (TEAL Rec./INTEGER)
Andreas OK & Torsten Cordes (Vektor)
DJJB (Surfase/Kraken/INTEGER)

Antony Difrancesco (Lost Souls/UK)
MHM One (Tartelet/WYS!)

Levon Vincent (Novel Sound/US)
Asmus Odsat (BULK)
Mads Rehl (BULK)

Jean Von Baden
Kool K

Robert Hood (M-Plant/US)
Klaus B (Hifly/Multifunction)

Blagger (Connect Four/Perspectiv Records)
Patrick Bateman (Tic Tac Toe Records)

DeepChord live (Modern Love/Soma/US)
Deadbeat live (BLKRTZ/Wagon Repair/CA)
Resoe (Baum/Echocord/Pattern Repeat)

Sound of Berghain and Sound of Panorama Bar are monthly Ostgut Ton label nights at Culture Box, showcasing the finest Berghain techno and Panorama Bar house DJs. This time the amazing Marcel Dettmann pulls an all-nighter!



Ruff, rugged and raw. Mentioning Marcel Dettmann as well as his feeling for and vision of electronic music, his way of dealing with it, is impossible without these attributes. Whether you take his DJ sets (Marcel has been made a resident DJ at the old Ostgut and also at Berghain from the very start), Dettmann’s productions for the self-conducted MDR label, his remixes for the likes of Fever Ray, Junior Boys, Modeselektor as well as Scuba, or if nothing else his debut long player for Ostgut Ton into account, all the various contrasts and distinctions that come with it are manifested in these qualities.



Techno as Marcel Dettmann defines it, is neither a movement without history nor wistful nostalgia. In the hands of the Berliner, the well-known game of hi-hats, bass lines and kick drums draws its tension and momentum from a historically grown tradition and the conscious decision to break the rules. Reformation and solid construction outplays the use of any gimmicks. Dettmann pours Detroit’s oil into European engines, puts British bass music under the control of Chicago’s very own Jack, cuts classics with abstract nuances and connects yesterday with tomorrow and today. In the unrelenting manner of a great DJ, he generates moods and connections that are age- and classless, but never irrelevant or tasteless. Marcel Dettmann links up the art of improvisation with careful preparation and finally gives techno some of its often painfully missed serious physical constitution back.



www.ostgut.de